Armagideon Time

Gosh, I hate when I’m forced to spend the night in an old dark house and a decorative skull (which just happens to be in the room) falls on top of a small animal (which also just happens to be in the room), which then proceeds to strut and squawk around where only I can see it, thus making my roommates doubt my sanity until the creature indulges in a dramatic outburst and we all shout “A G-G-G-G-GHOST!” and get jammed up trying to squeeze through the door at once.

Always a bad scene, that.

Recommended listening:

The Legend of Hell House was a lurid, trashy rehash of The Haunting aimed at the jaded audiences of the early Seventies, but its sense of dread-heavy atmosphere is a thing of hair-raising wonder. That’s the reason why it has become a spooky season staple for me, despite the foreknowledge that I will be rolling my eyes when the final act comes around.

Recommended listening:

Bad enough to be cast into the infernal pit without having to listen to “Babe” for all eternity.

Recommended listening:

If you don’t associate catsup with utter horror, try telling someone from the Chicago area that you like to put it on hot dogs and see how they react.

Recommended listening:

Though poor Chuck Cunningham was offered up as a sacrifice to appease the vengeful spirit, its baleful curse would pursue the gang across several more seasons, inflicting the most odious manner of manifestations — first Spike, then Chachi, and finally the grim herald of the sitcom End Times himself under the guise of “Roger Phillips.”

Recommended listening:

I’ve heard of “dying onstage,” but this is a bit much.

(Hey, I’m a dad now. I’m allowed to make these kinds of jokes.)

Recommended listening:

Man, this Special Old Ones Cut of Summer School is really weird.

Recommended listening:

AROOOOOOOOOOOOOOOOOOO!

AROOOOOOOOOOOOOOOOOOO!

AROOOOOOOOOOOOOOOOOOO!

AROOOOOOOOOOOOOOOOOOO! *hic*

AROOOOOOOOOOOOOOOOOOO!

AROOOOOOOOOOOOOOOOOOO!

ARF!

Recommended listening:

You were expecting that Warren Zevon track, right? Sorry.

Look, the laws of physics just work differently in pre-Code horror-revenge stories, okay?

(from “Symphony in Death” in Menace #11, January 1954; art by Joe Maneely, other credits as yet unknown)

Recommended listening:

I grew up in an era where trashy low-budget horror flicks had a marketing presence in newspapers and television. With cable and VCR tech still a ways from becoming ubiquitous household staples, and my peers and I being a little too young (and chicken) to sneak into R-rated movies, these ad spots were the sum total of our experiences with the works in question.

We’d weave entire fantasy narratives out of a 30-second TV spot and a smallish-sized print listing, occasionally leavened by one of the older kids in our orbit giving us a plot summary that was more than likely utter bullshit. These extrapolations ran heavy on blood and boobies — as you’d expect from a bunch of boys on the edges of pre-adolescence — intertwined by the teller’s own personal set of terrors.

It was a groovy subset of Gen X playground lore, and one I wish had more documentation than hazy recollections overshadowed by the memories of catching the actual films on TV or video a few years later and discovering your version was far more terrifying than the actual cheapjack project.

Recommended listening:

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